I didn't know about it before. I saw the pumpkin by mistake. I was so excited that I couldn't. I was so lucky. At 10:00, I started to buy tickets from the ticket vending machine. I sat down next to it and got my shoes in plastic bags. I didn't know what was going on at the beginning. I wanted to take off my shoes. I put 100 yen in the entrance to deposit things and I could retire. For the first time, I watched Miaosheng in the grass on the Tami barefoot. Have had a comfortable experience. It's really worth the return ticket. Besides the exhibition, there are several balconies to enjoy the Japanese garden. If you don't hurry, it's good to sit there and see the scenery.

Walking in the night, I saw such a sign - "Why Museum Kyoto Modern Art Museum" unexpectedly. The poster on the side shows that the Elliott Erwitt exhibition is in progress, opening from 19:00 to 18:00. I'm late.

Why do you need to take the elevator to the fifth floor when the door opens the moment you see the scene. Red leaves are beautiful, but I prefer the "silence" after the bustle is over.

京都國立現代美術館收藏中以關西為主的西日本美術作品佔有很大比例，其中京都現代日本畫和工藝作品優秀，現代世界陶藝、染織、玻璃工藝水平的歐美作品和世界攝影史的重要作品收藏也非常豐富。美術館有展示收藏品的常設展，從大約6600件收藏品中選取部分作品，及時輪流展出，還有本館特色介紹國內外作品專題展覽，還發布美術館通訊[窗口]，舉辦與展覽有關的演講會。

看起來不錯的景點，可以看到不少好東西

這是何必先生的作品比較齊全的一個館子。

From here on, it's a comparative downtown attraction. Why should the museum be quietly hidden in the crowded Zongyuan, a five-storey art museum, but the door is narrow, looking for the way through its doors twice did not find. This time we met the Showa Times Photography Exhibition of Ibaraki Kimura. It was very interesting. The lens witnessed the living conditions of urban and rural people in Japan after World War II. Previous exhibitions included Robert Doisneau and Henri Cartier-Bresson.