How does practice-based research with a focus on body-based knowledges and insights help to concretise the felt experience of socio-political themes such as commoning, power, and relationality? How can we use embodied, experiential techniques to better articulate how we relate to ourselves, to each other and to systems of power? Can practice-based research help us to do differently, not just say differently? A one day symposium hosting practical labs on a variety of embodied practice-research approaches. With an interdisciplinary focus and an inclusive approach, we have invited practitioners working across dance and psychology, sound and computing, design, and theatre. We will aim to reflect our enquiry in the structure and holding of the day, as well as in the themes brought by invited artists and scholars. Please come prepared to experiment, participate, and co-create the day with us. The title of the event is a play on the word 'in-carn-ate' - literally, to make flesh. We are, in a sense, engaged in the messy process of fleshing out the potential insights of embodied practice-research for socio-political issues. Location:
UAL Doctoral School at University of the Arts London, address: HH201-203, Second Floor, 272 High Holborn, London WC1V 7EY (Info on accessibility: https://www.accessable.co.uk/university-of-the-arts-london-ual/london-college-of-fashion-high-holborn/access-guides/london-college-of-fashion-high-holborn ) Schedule:
9:45AM: Welcome and opening
10AM-11:00AM: Lab 1: Emilyn Claid
11:15AM-12:45PM: Lab 2: Panel of practice + dialogue: Gabriel Hoosain Khan, Nadia Jaglom, Victoria Burgher
12:45PM-2:00PM: lunch provided + informal networking
2:00PM-3:00PM: Lab 3: Atau Tanaka
3:15PM-4:15PM: Lab 4: Ben Spatz
4:15 - 4:45: Closing Confirmed artists and scholars:
Emilyn Claid After an early career in the National Ballet of Canada, emilyn was co-founder of X6 Dance Space in London, a pioneering organisation for New Dance (1975-1980). In the 1980s emilyn was artistic director of Extemporary Dance Theatre and in the 1990s choreographed for companies such as Phoenix and CandoCo. Working as an independent dance artist emilyn made and performed a series of iconic solo works finding her voice as a lesbian-queer artist. emilyn is also an emeritus professor and a Gestalt psychotherapist. She has recently published FALLING through Dance and Life, (Bloomsbury 2021) and is currently touring her solo show ‘Untitled’.
Atau Tanaka studied Physical Sciences at Harvard University then gained his doctorate in Computer Music at Stanford University’s CCRMA. He has since helped to establish the field of Music Human-Computer Interaction (HCI). Atau has carried out research at IRCAM Centre Pompidou, Apple France, and Sony Computer Science Laboratory (CSL) Paris in areas of interactive music, immersive media, network performance, and human-data interaction. He has performed widely in the experimental music scene in Europe, Asia, and the Americas. His work has been exhibited at Ars Electronica, SFMOMA and performed at Sonar and WOMAD festivals and released on labels like Superpang, Touch and Subrosa. His research has been supported by the European Research Council, UK and French research councils. He was artistic co-director of STEIM and currently is professor and co-director of the Centre for Sound, Technology & Culture (CSTC) at Goldsmiths University of London, and works with Bristol Interaction Group and MSH Paris Nord.
Ben Spatz (they/he) is a nonbinary scholar-practitioner working at the intersections of artistic research and critical theory. They are the author of What a Body Can Do (2015) and Race and the Forms of Knowledge (2024), among other publications, and founding editor of the videographic Journal of Embodied Research. For more information please visit: www.urbanresearchtheater.com
Gabriel Hoosain-Khan (they/them) specializes in developing creative methodologies (such as art, drama, and creative writing) to facilitate dialogues and healing, conduct participatory action research, and develop strategic responses to trauma and violence. Gabriel has experience in managing and implementing regional projects in southern Africa on topics related to gender and sexuality, poverty and hunger, and diversity and inclusion. Gabriel last worked at the University of Cape Town, where they piloted the Creative Change Laboratory (CCoLAB). CCoLAB created an art-activism laboratory with marginalized youth in Cape Town. The project culminated in an exhibition, zine and mini-documentary. Gabriel is currently pursuing their PhD at the University of Brighton.
Nadia Yahlom is a PhD student at CREAM, Westminster, looking at hauntedness, supernatural life and the necropolitical between Palestine and the UK, whose research considers how both humans, artefacts and landscapes reverberate with colonial violence. Her work explores how spaces such as museums, state archives and other institutions reinforce colonial biopolitics in relation to the Palestinian living and dead, and asks how individuals and collectives can create materials which subvert these power regimes, preserve folk/oral histories and respond generatively to absence, particularly in the context of cultural erasure and unfolding genocide. Nadia is also a co-founder of Sarha Collective, an artists collective for experimental art forms from Palestine and the broader SWANA region. @sarhacollective
Victoria Burgher is an artist whose practice-based, interdisciplinary PhD research at the University of Westminster uses porcelain to interrogate ideological and material whiteness from an explicitly anti-racist position. Her work using colonial commodities to reveal the whitewashing of British imperial history is exhibited nationally and internationally. She has been awarded technē-AHRC funding for her doctoral research and is a technē Racial Justice Fellow. She has a BA Hons Ceramics from the University of Westminster and an MA Art and Politics from Goldsmiths, University of London. She lives and works in East London. Link: http://www.victoriaburgher.com/ Selwa Sweidan (she/her) (respondent) is an artist, and researcher. She creates biodegradable objects, movement scores, open tools, speculative films, and physical computing artifacts. Selwa’s writing has been published in the Association for the Advancement of Artificial Intelligence Journal, the Design Research Society and the Internet Policy Review journal. has exhibited at Bevilacqua Gallery, Centre Pompidou, HomeLA, Spring/Break LA and UC Irvine's UAG Gallery. Selwa has co-curated exhibitions and symposia including Beyond Embodiment, Performative Computation, STACKED Expo, Super Radiance and Clustering. Selwa is currently a undertaking a Phd in the Interdisciplinary Media Arts and Practice program within the University of Southern California’s School of Cinematic Arts. www.selwasweidan.com This event is a TECHNE student-led event, funded by TECHNE DTP and organised by TECHNE-funded PhD candidates Julia Pond, Joana Chicau and Viveca Mellegard.
Julia Pond is a dance artist and researcher focused on the intersection of dance and political economy. Her work uses movement, text, image, and sometimes, bread dough to create playful performance and workshops. juliapond.com
Joana Chicau is a designer with a background in dance. She researches the intersection of the body with the designed and programmed environment, aiming at widening the ways in which digital sciences is presented and made accessible to the public. Her practice interweaves web programming with choreography: from the production of digital technologies to performances and workshops. She also co-organizes and participates in events on collaborative and algorithmic improvisation, digital justice and activism. She is a PhD candidate at the Creative Computing Institute, part of the University of the Arts London. https://researchers.arts.ac.uk/2383-joana-chicau/about Viveca Mellegård is particularly interested in the knowledge and skills embedded in the craft of dyeing with natural indigo and how embodied practices can cultivate human-plant relationships. She is working in the Economic Botany Department at Royal Botanic Gardens, Kew on research linking Kew’s colonial era collections of Indigofera tinctoria from India to contemporary indigo production and dyeing in West Bengal.

Information Source: Julia Pond | eventbrite

倫敦

英國

正在搜尋Oct 10, 2024（UTC+0）在倫敦舉辦的Fleshing it Out: embodied practices and socio-political impact | University of the Arts London的資料和門票？ Trip.com 幫助您。 立即查看Fleshing it Out: embodied practices and socio-political impact | University of the Arts London的日期、行程和其他資訊！ Trip.com 更有其他類似的精彩活動。 立即起程！

Fleshing it Out: embodied practices and socio-political impact | University of the Arts London: 日期及行程 | Trip.com

Fleshing it Out: embodied practices and socio-political impact | University of the Arts London

Art of the Brick

Fleshing it Out: embodied practices and socio-political impact | Trip.com

探索更多關於倫敦的內容

null | Trip.com

分享你的結果，看看朋友們怎麼說！

博物館

霍爾本

M32***23

Holborn是一個很棒的小城市，類似小縣城，比較清靜，本地人居多，遊客都是散客自由行，不會打擾到這個小鎮的寧靜～在鎮中心有很多小店，建築物風格獨特又美麗！

克拉裏奇酒店，梅伯恩酒店系列

當地風情酒店

多切斯特酒店

奢華酒店

威斯敏斯特教堂

明日可用

人氣景點

夜景

M33***70

非常值得去，深深感受到厚重的英國文化及英國對科學文化藝術等各個領域人才的重視，我們去的時候排隊不到一小時就可以入場了，場內順序安排非常合理，中文翻譯器很好用。

大英博物館

M29***10

親測，逛博物館一定要購買講解服務。今天上午打卡大英博物館。幸運的是我英明的選擇了購買了更貴的高級講解。戴安娜老師的講解，全程生動有趣，且不乏專業性。不但告訴你看到了什麼，並能深入淺出的了解展品背後的歷史，讓你體會各個文化的特點，還能對比華夏文明的不同。戴安娜老師，像一位智者不但分享展品的故事，更展現英國特殊的人文感召力，以及一位親歷者的感受。其淵博的知識，北京人的文化底蘊。更是讓我們感受到情切，流連忘返。同行的團友分分決定補聽1小時。安娜老師還會分享最佳機位，讓你紅出朋友圈。

卡多根，貝夢德酒店，倫敦

倫敦, 鄰近哈羅德百貨公司|車路士

文華東方酒店，倫敦海德公園

倫敦, 鄰近哈羅德百貨公司|騎士橋

倫敦 OWO 萊佛士酒店

白金漢宮

歷史建築

D27***80

非常值得去的景點，最好能不少於2個小時。大氣不豪橫，有歷史感不陳舊。每一步都很難移動，目不暇接美不勝收，看不夠，不捨得往前走。不允許拍照。

倫敦眼

300***84

英國倫敦市的地標性建築之一 遊客很多 網上訂票很方便 現在直接驗票進入 全程30分鐘左右 可以飽覽倫敦市區美景 是去英國旅遊的必打卡景點之一

溫莎城堡

Robert_Tai

景色很美。不過，相對於票價來說，參觀時間有點短（個人看法）

時間：	Oct 10, 2024（UTC+0）結束
地點：	University of the Arts London