Through a series of simple exercises, participants will be introduced to Viewpoints - a training method that actors use to develop awareness of their mind and body in relation to the environment. Come with an open mind and join us in exploring the different elements of Viewpoints such as Shapes and Movement in this experiential workshop! No acting/theatre experience required. Please note:
- Participants need to register with a valid mylibrary ID account or else your registration will be invalid.
- Due to limited slots, please come on time as your slot will be given to walk-in participants if any. This programme is suitable for: - Participants age 17 years and above - Who are interested in theatre and considered physically fit to do a movement class. Attire Notes: 1) Bare feet, no shoes required. 2) Fitting & stretchable attire (T-shirt & pants) which allow you to move freely, even level changes. 3) NO jeans, skirt and dress, but socks are allowed if you really need. 4) Bring along your own bottled water. 5) A towel for yourself, as you may sweat during training. About The Performer's Body Series Central Arts Library’s “The Performer’s Body” is designed for participants with little to no performing experience, providing them with essential skills, and understanding of their body’s potential. This workshop series focuses on fundamental techniques, gradually building participants performing vocabulary. By exploring the basics of physicality and expression, “The Performer’s Body” equips participants with a foundation to begin their artistic journey. About Mia Chee Mia is an actor, theatre producer and educator, also co-founder and Company Director of Nine Years Theatre, with over 20 years of professional experience. She found her love in performing at the age of 9 when she joined Rediffusion's children radio drama group. Since then, she has been performing through her teenage years and eventually graduated with a BA in Theatre Studies and Chinese Language from the National University of Singapore. To further her research in the actor’s body, training and performance, Mia studied Viewpoints with SITI Company (New York) and Suzuki Method of Actor Training with SITI and Suzuki Company of Toga (Japan), and has been practising these trainings for more than 10 years. She also shared and led NYT’s classes, jams, and classes in schools on the above methods. She’s currently an Alumni Network Ambassador of the SITI Company. As a continuation from her background in radio work since young, she worked as a part-time DJ at Y.E.S. FM93.3 during the years 1997 – 2014. Since 2015, she has been teaching NYT’s Diction of Standard Mandarin class. She was a founding and core member of the NYT Ensemble through its journey (2014 - 2021), and led the ensemble in vocal and speech training. Since university days, she worked as a performer with various theatre companies such as Toy Factory Productions Ltd, Dramabox, The Theatre Practice, The Necessary Stage and TheatreWorks. Today, she has been the producer of all NYT shows. Recent performing credits include Immortal Variables, See You, Anniversary, Windward Side of the Mountain, Between You And Me, Electrify My World, Three Sisters, Oedipus, Dear Elena, First Fleet, FAUST/US, Lear Is Dead, Pissed Julie, Cut Kafka!, Art Studio, Red Sky, Red Demon, The Lower Depths, Tartuffe, An Enemy of the People, The Bride Always Knocks Twice and Who’s Afraid of Virginia Woolf?. About Nelson Chia Nelson is a director, performer, playwright, acting teacher and theatre lecturer. He is a four-time Best Director winner and two-time Best Actor winner at the Straits Times Life! Theatre Awards. In 2012, Nelson became the first Singapore artist to be commissioned for three consecutive years by The Esplanade to present work at the Huayi Chinese Festival of Arts. In 2017, he trans-created Cultural Medallion writer Yeng Pway Ngon’s seminal novel Art Studio for the stage, the play was commissioned by Singapore International Festival of Arts (SIFA) as the opening programme for the festival that year. In 2021, he collaborated with the renowned SITI Company from New York to present a hybrid version of Chekhov’s Three Sisters at SIFA 2020/21. Other commissioning and artistic partners he had worked with included Macau Arts Festival, Singapore Chinese Cultural Centre, M1 Singapore Fringe Festival, Singapore Writers’ Festival, The Substation, The Arts House, World Shakespeare Congress, T.H.E. Dance Company and Contemporary Legend Theatre (Taiwan), to name a few. Nelson’s directorial works are marked by detailed and dynamic ensemble work. His original scripts and transcreations are known to be culturally layered and possessing sensibilities that speaks to audiences from all backgrounds. In 2012, Nelson, with his wife Mia Chee, co-founded Nine Years Theatre (NYT) – currently the only company under NAC’s major funding scheme that distinctly positions itself as a Singapore Mandarin theatre company. NYT believes that the multicultural Singapore Chinese identity is unique and aspires to recognise and celebrate that. About Nine Years Theatre An award-winning Singapore Mandarin theatre company, Nine Years Theatre (NYT) is dedicated to the creation of high-quality performances. NYT sees Chinese culture as the foundation of its work but not the centre of its practice. We believe in the uniqueness of local Chinese culture and aspires to recognise and celebrate the multicultural identity of the Singaporean Chinese through theatre. NYT tells stories through live performances that remind us of our humanity. Since our inception, NYT has been invested in the training of actors, in order to create work that is consistent in quality. We strive to entertain audiences in ways that are honest and thoughtful. Our work is recognised for being accessible and culturally layered, possessing deep sensibilities that speak to audiences from all backgrounds. Fluid in scale and genre, NYT creates performances ranging from original plays and transcreations, to interdisciplinary and international collaborations. In recognition of our contributions to the promotion, enrichment and development of Singaporean Chinese culture, NYT was awarded the Singapore Chinese Cultural Contribution Award (Organisation) presented by the Singapore Chinese Cultural Centre in 2024. Nine Years Theatre is supported by the National Arts Council under the Major Company Scheme for the period from 1 April 2022 to 31 March 2025. We are a charity with Institution of Public Character (IPC) status.

Information Source: GoLibrary | National Library Board, Singapore | eventbrite

新加坡

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新加坡萊佛士酒店

新加坡, 鄰近魚尾獅公園|濱海灣

奢華酒店

新加坡濱海灣金沙酒店

Instagram打卡酒店

新加坡環球影城

隨買隨用

即日可用

人氣景點

主題樂園

夜景

Bikramjit Chowdhury

在新加坡環球影城度過了難忘的一天

昨天去了新加坡環球影城，玩得非常開心。變形金剛過山車絕對刺激無比，是整個園區的亮點之一。史瑞克過山車也很有趣，讓人感覺輕鬆又沉浸其中。

最後，精彩的煙火表演為這一天畫上了完美的句號，煙火真的太美了，值得一直待到最後。整個園區組織有序，氣氛活躍，各種遊樂設施和表演也精彩。絕對是新加坡必遊景點！

新加坡濱海灣花園

_TI***ie

這裡分為免費區和收費區。免費區（設有大型金屬樹棚，種植熱帶蕨類植物）非常寬敞，樹木也很多。

新加坡嘉佩樂酒店

新加坡, 鄰近新加坡環球影城|聖淘沙島

當地風情酒店

新加坡聖淘沙萊佛士酒店

新加坡, 鄰近巴拉灣海灘|聖淘沙島

新加坡富麗敦海灣酒店

萬態野生動物世界

zhang_ja

常說的新加坡動物園，其實分4個單獨的園區▫️新加坡動物園：老虎獅子大象啥的🐯🦁▫️夜間野生動物園：世界上首個夜間動物園🎑▫️新加坡飛禽公園：各種飛鳥為主🦜🦤🦩🦚▫️河川生態園：世界上最大淡水水族館🐟🐠🐡

夜間野生動物園

匿名用戶

門票物有所值，步道有點黑，所以夜視能力不好的人可能需要帶手電筒。露天劇場的表演一般，但可以算是對一些夜行動物的初步了解。亮點是火車之旅&mdash;&mdash;幾乎所有動物都很活躍，而且都在火車的視線範圍內。食物價格還可以，但比外面略貴一些。工作人員熱情友善。我會推薦給任何想在晚上體驗健康活動的人。

新加坡天際線斜坡滑車

親子景點

纜車

雖然今天去玩碰到了下雨，但是下了一會兒就停了，還是很好玩的，小朋友直呼再來幾圈，買了4圈還不夠玩，山上景色也不錯，也很好上手玩，不排隊，很幸運的一天

時間：	Oct 26, 2024（UTC+8）結束
地點：	National Library - Imagination Room, Level 5

Introduction to Viewpoints | National Library - Imagination Room, Level 5

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